Sharmila tagore biography video waltz

Sharmila Tagore

Indian actress (born 1944)

Sharmila Tagore (Bengali:[ʃɔɾˈmilaˈʈʰakuɾ]ⓘ; born 8 December 1944) also known by her married name Begum Ayesha Sultana,[1] is an Indian actress primarily known for her work in Hindi and Bengali films. Regarded among the greatest actresses in the history of Indian cinema, she is known for portraying both traditional and modern women.[2][3] Tagore is a recipient of two National Film Awards, a Filmfare Award and the Filmfare Lifetime Achievement Award. In 2013, the Government of India, honoured her with Padma Bhushan, India's third highest civilian honour for her contributions to Indian culture through performing arts.[4]

Born into the prominent Tagore family, one of the leading families of Calcutta and a key influence during the Bengali Renaissance, Tagore made her acting debut at age 14 with Satyajit Ray's acclaimed Bengali epic drama The World of Apu (1959). She went on to collaborate with Ray on numerous other films, including Devi (1960), Nayak (1966), Aranyer Din Ratri (1970), and Seemabaddha (1971); thus establishing herself as one of the most prominent figures in Bengali cinema.

Tagore's career further expanded when she ventured into Hindi films with Shakti Samanta's romance Kashmir Ki Kali (1964). She established herself as one of the leading actresses of Hindi cinema with films like Waqt (1965), Anupama (1966), An Evening in Paris (1967), Aamne Saamne (1967), Satyakam (1969), Aradhana (1969), Safar (1970), Amar Prem (1972), Daag (1973), Avishkaar (1974), Chupke Chupke (1975), Mausam (1975), and Namkeen (1982). She won the Filmfare Award for Best Actress for Aradhana and the National Film Award for Best Actress for Mausam. This was followed by intermittent film appearances in the subsequent decades, including in Mira Nair's Mississippi Masala (1991) and Goutam Ghose's Abar Aranye (2002), which won her the National Film Award for Best Supporting Actress, and in the Hindi films Aashik Awara (1993), Mann (1999), Viruddh (2005), Eklavya (2007) and Break Ke Baad (2010). Following a hiatus of 13 years, she made her film comeback with the drama Gulmohar (2023).[5]

Apart from acting, Tagore has also served as the chairperson of the Central Board of Film Certification from October 2004 to March 2011. In December 2005, she was chosen as a UNICEF Goodwill Ambassador.[6] She was married to cricketer and the Nawab of Pataudi, Mansoor Ali Khan Pataudi, with whom she had three children—actors Saif and Soha, and jewellery designer Saba.

Early life and background

Sharmila Tagore was born on 8 December 1944 in Cawnpore (now Kanpur), United Provinces to Gitindranath Tagore, a general manager in the British India Corporation, and his wife Ira Tagore (née Barua).[7] Tagore's father belonged to the aristocratic BengaliHinduBrahminTagore family, and was related to the Nobel laureate Rabindranath Tagore. Her mother was of Bengali and Assamese descent and hailed from the Barua family.[8][9][10] Gitindranath was the grandson of the noted painter Gaganendranath Tagore, whose own father Gunendranath had been a first cousin of the laureate.[11] In fact, Tagore is more closely related to Rabindranath Tagore through her mother: her maternal grandmother, Latika Barua (née Tagore), was the granddaughter of Rabindranath Tagore's brother, Dwijendranath Tagore.[11] Tagore's maternal grandfather (husband of Latika Barua née Tagore) was Jnanadabhiram Barua, an Assamese Freedom Fighter and Writer who was the First Principal of Earl Law College in Guwahati (now known as Government Law College), himself the son of the noted social worker Gunabhiram Barua.[12][13] As a member of the Tagore family, she is also a distant relative of the actress Devika Rani and the painter Abanindranath Tagore (brother of Gaganendranath Tagore).

Tagore was the eldest of three daughters and had two younger sisters, the late Oindrila Kunda [Tinku Tagore] and Romila Sen [Chinky]. Oindrila was the first in the family to act in a film, and the only role she ever played was that of Mini, the child character (but a central character) in Tapan Sinha's film Kabuliwala (1957).[11][14] In adulthood, she became an international bridge player. Her other sister, Romila Sen, married to Nikhil Sen, a businessman who served as chief operating officer of Britannia Industries for several years, died as the founder and managing director of Unibic Foods in November 2019.[15]

Tagore attended St. John's Diocesan Girls' Higher Secondary School and Loreto Convent, Asansol.[16] She made her film debut when she was a 13-year-old schoolgirl, after which her studies lost priority. Within a short while, her attendance and performance at school suffered, she came to be regarded as a bad influence on her classmates, and was faced with a choice of either doing films or studying further.[17] At that point, her father advised her to move ahead in life, commit herself to a film career and 'give it her all' in order to become successful.[17]

Career

Early work and breakthrough (1959–1968)

Tagore began her career as an actress in Satyajit Ray's Bengali epic drama Apur Sansar (1959), as an ill-fated bride.[18] In 1960, Ray cast her again in Devi, a film set in 1860 on Hindu orthodoxy and rational reforms, which she considers her favourite film and performance.[19] She went onto appear in Bengali films Shes Anko and Nirjan Saikate, winning the IFFI Best Actor Award (Female) for the latter, alongside Chhaya Devi, Ruma Guha Thakurta, Renuka Devi and Bharati Devi.[20]

Tagore made her Hindi film debut with Shakti Samanta's musical romance Kashmir Ki Kali (1964) alongside Shammi Kapoor. She and Samanta collaborated on several of his later films, including the romantic thriller An Evening in Paris (1967) again opposite Kapoor. With the film, she became the first Indian actress to appear in a swimsuit,[21][18][22][23][24][25] which established Tagore as a sex symbol in Hindi films.[26][27] While the scene in the film is often referred to as 'the bikini scene', Tagore's swimwear is actually a one piece. However, she did pose in a bikini for the cover of Filmfare magazine in 1966.[28][23][29][30][31] But, when she was the chairperson of the Central Board of Film Certification 36 years later, she expressed concerns about the increased use of bikinis in Indian films.[32]

Tagore went on to appear in films such as the Hindi films Waqt (1965), Anupama (1966), Devar (1966), Aamne Saamne (1967), Mere Hamdam Mere Dost (1968), and the Bengali film Nayak (1966).[33][34] Her performance in Anupama, opposite Dharmendra, proved to be her breakthrough.[35]

Commercial success and stardom (1969–1980)

The 1970s marked the most successful period of Tagore's career with a string of critical and commercial successes, with her pairing with Rajesh Khanna being particularly praised and noted. The Tagore-Khanna pair yielded several successful films, most notably the romantic dramas Aradhana (1969), Safar (1970), Chhoti Bahu (1971), Amar Prem (1971), Raja Rani (1973), Daag (1973) and Avishkaar (1974), and the spiritual drama Maalik (1972).[36][37][38] All these films established her as one of the leading actresses of the time, in addition to establishing the Tagore-Khanna pair as one of the greatest best on-screen pairs of Indian cinema.[39][40]Aradhana, Safar and Amar Prem earned Tagore nominations for the Filmfare Award for Best Actress, winning the award for the former.[41][42]

During this period, Tagore also worked with Uttam Kumar in several films, including Nayak, and the bilingual dramas Amanush (1975), Anand Ashram (1977) and Dooriyaan (1979).

She headlined Gulzar's musical romance Mausam (1975) alongside Sanjeev Kumar, which earned her the National Film Award for Best Actress, and her fourth nomination for the Filmfare Award for Best Actress.[43]

She starred opposite Dharmendra in seven critical and commercial successes – Devar, Anupama, Mere Hamdam Mere Dost, Satyakam (1969), Yakeen (1969), Chupke Chupke (1975), Ek Mahal Ho Sapno Ka (1975).[44]

She also worked alongside Amitabh Bachchan in Chupke Chupke, Faraar (1975) and Besharam (1978), opposite Shashi Kapoor in Aa Gale Lag Jaa (1973) and Paap Aur Punya (1974).

Tagore's other films during this period included Ek Se Badhkar Ek (1976), Tyaag (1977), which she also co-produced, and the Malayalam film Chuvanna Chirakukal (1978) among others.[45][46]

Further success and sporadic work (1981–2006)

In the 1980s, Tagore appeared in films such as Kalankini Kankabati (1981), Namkeen (1982), New Delhi Times (1986) and Maa Beti (1986).[47][48] She reunited with frequent co-star Dharmendra in the action film Sunny (1984), which starred Dharmendra's son Sunny Deol in the lead role. Her performance in the film earned her a nomination for the Filmfare Award for Best Supporting Actress.

Tagore played pivotal roles in the Bengali action film Protidan (1983) opposite Naseeruddin Shah, and Mira Nair's interracial romantic drama Mississippi Masala (1991).[49] She also appeared in supporting roles in Ghar Bazar (1998) and Mann (1999).

During this period, she also appeared in two television shows, Katha Sagar (1986) for DD National and Zindagi (1999) for Star Plus.[50][51]

Tagore starred alongside her son Saif Ali Khan in his debut film Aashik Awara (1993) and the action drama Eklavya: The Royal Guard (2007), receiving critical praise for the latter.[52]

She also appeared in supporting roles in the musical romantic drama Dhadkan (2000) and the drama Abar Aranye (2003), the latter of which earned her the National Film Award for Best Supporting Actress.[53]

Tagore received high critical acclaim for her performance in the family drama Virruddh... Family Comes First (2005) alongside frequent co-star Bachchan, earning her fifth nomination for the Filmfare Award for Best Actress.[citation needed]

Intermittent work and acclaim (2007–present)

From 2007 to 2009, Tagore appeared in films such as Fool & Final (2007), Tasveer 8*10 (2009), Antaheen (2009) and the Marathi film Samaantar (2009).[54] In 2009, Tagore became the jury member at the main competition of the 62nd Cannes Film Festival.[4] In 2010, she played a supporting role in the romantic comedy-drama Break Ke Baad,[55] which earned her critical acclaim, for which DNA India noting that, "Tagore pitches in with a strong performance."[56] This was followed by a hiatus from acting.

Tagore made her comeback after a 13-year hiatus with the drama Gulmohar (2023), which released on Disney+ Hotstar.[57] The film earned her critical acclaim, with the Hindustan Times noting that, "The elegance and poise Tagore exudes are remarkable. Her dialogue delivery, gestures, body language, emotions, everything looks just so effortless even after a long hiatus." India Today also opined that, "Tagore is always a joy to watch on screen. And, what a comeback!"[58][59] Her performance earned her the Filmfare OTT Award for Best Actress Critics – Web Original Film, in addition to a nomination for Best Actress – Web Original Film.[60]

In 2024, Tagore returned to Marathi films with Outhouse alongside Mohan Agashe, where she played a loving grandmother.[61] Devesh Sharma of Filmfare noted, "Tagore brings warmth, wisdom, and a spark of curiosity to Aadima, portraying her as a nuanced blend of strength and vulnerability."[62] Tagore is also set to make her comeback to Bengali films after 14 years with Suman Ghosh's Puratawn.[63]

Personal life

Tagore converted to Islam, changed her name to Begum Ayesha Sultana,[1][64] and married Mansoor Ali Khan Pataudi, the titular Nawab of Pataudi and Bhopal and former captain of the Indian cricket team, on 27 December 1968.[65][66] They had three children: Bollywood actor Saif Ali Khan (b. 1970); Saba Ali Khan (b. 1976),[67] a jewellery designer; and Soha Ali Khan (b. 1978), a Bollywood actress and TV personality. Mansoor Ali Khan Pataudi died at age 70 on 22 September 2011.[68]

From 1991 to 2004, Saif was married to actress Amrita Singh. They have two children, daughter Sara Ali Khan (b. 1995), an actress, and son Ibrahim Ali Khan (b. 2001).[69] His second marriage is to actress Kareena Kapoor in 2012 with whom he has two sons, Taimur Ali Khan (b. 2016) and Jeh Ali Khan (b. 2021).[70]Soha married actor Kunal Khemu in 2015, and has a daughter Inaaya Naumi Khemmu (b. 2017).[71]

Public image

Tagore is regarded as one of the greatest actresses of Indian cinema.[72][73] One of the highest-paid actress of the late 1960s and early 1970s, she appeared in Box Office India's "Top Actresses" list in 1969 and 1973.[74] In 2022, she was placed in Outlook India's 75 Best Bollywood Actresses list.[75] Tagore was placed 2nd in Rediff.com's "Best Bollywood Debut Ever" list, for her films Apur Sansar and Kashmir Ki Kali.[76]

Tagore was widely known as the "style icon of the 60s and 70s" and was known as a sex symbol.[77] Beehive hairdo and winged eyeliner were some of the style statements of Tagore that are still relevant in the fashion world and brought her the title of "The queen of dramatic eye make-up".[78][79] She was placed in Times of India's "50 Beautiful Faces" list.[80] Numerous actresses including Priyanka Chopra and Deepika Padukone have been inspired by her style.[81] Her daughter-in-law actress Kareena Kapoor said, "I like my mother-in-law Sharmilaji's dressing sense, both on and off-screen."[82] Tagore was also inducted into the Bollywood Walk of Fame at Bandra Bandstand, Mumbai, where her hand print was preserved.[83]

Reception and legacy

Tagore is considered among the finest actresses of Indian cinema. She is highly regarded for her range as an actor, her beauty, and her fashion sense and style.[3][84] She was known for her range of portrayals – from traditional to modern women. Tagore portrayed challenging roles such as that of — a journalist in Nayak, a club dancer in An Evening in Paris,a widow in Aradhana,a surgeon in Safar, a woman disowned by her husband in Amar Prem, a teacher and victim of abuse in Daag and a prostitute in Mausam.[85]Filmfare added her performances in Mausam in its list of Bollywood's "80 Iconic Performances", placing it at the 59th place.[86]

Subhash K. Jha of Firstpost termed her the only actress with "a wide spectrum of directorial leaps" and said, "No other Bollywood actress apart from Sharmila Tagore has had such spectacular innings after marriage."[3] American critic Pauline Kael stated, "She is exquisite, perfect - a word I don't use casually."[85] Hemachhaya De of Femina noted, "Sharmila Tagore successfully straddled diverse film genres: arthouse, crossover and mainstream."[87] Tagore was known as an actress who was always ahead of her time. She became the first Indian actress to wear a bikini on-screen, for her film An Evening In Paris (1967). Tagore is considered among the hottest Bollywood actresses of all time.[88] Surendra Kumar of The Sunday Guardian noted, "She beautifully balanced her two avatars — the serious persona of realist Bengali films, and the Bollywood persona of films with song-and-dance sequences focused on success at the box office."[2] Film historian Sanjay Mukhopadhyay said, "Tagore's most significant contribution to Indian cinema is a sense of dignity and grace — after Waheeda Rehman, she was the only actress of her time who exuded this.”[87]

"Sharmila Tagore is every inch the prostitue Kajri, and very convincing at that. Her language is foul, and her body language is fluid. But that´s not all, in the movie, Sharmila is also the mum, Chanda, who falls in love with a visiting doctor. Chanda is carefree and in the first flush of love. She also goes through abandonment and is shamed into marrying an old man, only to lose her touch with sanity, waiting for her doctor to come and save her.

— Filmfare on Tagore's performance in Mausam (1975)[86]

Filmography

Films

† Denotes films that have not yet been released

Television

Music video

Accolades

Civilian award

Film awards

Other awards

Honours and recognitions

In popular culture

References

  1. ^ abc"Sharmila changed her name to Ayesha Sultana to marry Mansoor Ali Khan Patuadi". The Times of India. TNN. 25 February 2015. Archived from the original on 28 February 2023. Retrieved 8 March 2023.
  2. ^ abSurendra Kumar. "Sharmila Tagore - An actor always ahead of her time!". The Sunday Guardian. Archived from the original on 26 September 2022. Retrieved 26 September 2019.
  3. ^ abcSubhash K. Jha. "Happy Birthday Sharmila Tagore: Timeless, ethereal, incandescent forever". Firstpost. Archived from the original on 14 December 2022. Retrieved 18 December 2022.
  4. ^ ab"Sharmila Tagore, India's emblem at Cannes". The Times of India. Archived from the original on 19 July 2018. Retrieved 17 December 2021.
  5. ^"SCREEN Live: Sharmila Tagore reflects on her legendary journey". The Financial Express. 17 December 2024. Retrieved 18 December 2024.
  6. ^"Sharmila Tagore, for UNICEF". Rediff.com. 8 December 2005. Archived from the original on 1 February 2009. Retrieved 3 September 2006.
  7. ^"Sharmila Tagore, Elegant and Graceful at 70". NDTV.com. Archived from the original on 21 July 2021. Retrieved 21 July 2021.
  8. ^"Assam: ULFA opposes award to Sharmila Tagore". Archived from the original on 22 November 2021. Retrieved 22 November 2021.
  9. ^Dasgupta, Priyanka. "The Tagore connection!". The Times of India. Archived from the original on 8 March 2016. Retrieved 18 October 2014.
  10. ^Van Gelder, Lawrence (9 November 1990). "At the Movies". The New York Times. Archived from the original on 6 March 2016. Retrieved 18 February 2017.
  11. ^ abc"TAGORE". iinet.net.au. Archived from the original on 13 May 2015. Retrieved 18 October 2014.
  12. ^"President confers top honours Pranab urges people to reset moral compass". The Telegraph (India). Archived from the original on 22 February 2014.
  13. ^Anurag, K. "Assam: ULFA opposes award to Sharmila Tagore". Rediff. Archived from the original on 21 February 2014. Retrieved 17 January 2014.
  14. ^"The telegraph"(PDF). wbpublibnet.gov. 1 December 1991. Archived(PDF) from the original on 22 October 2014. Retrieved 18 October 2014.
  15. ^"Nikhil Sen, Founder & MD of Unibic Foods, passes away – Exchange4media". Indian Advertising Media & Marketing News – exchange4media. Archived from the original on 17 June 2021. Retrieved 7 April 2021.
  16. ^Zaman, Rana Siddiqui (7 August 2009). "My First Break – Sharmila Tagore". Friday Review Delhi. The Hindu. Chennai, India. Archived from the original on 24 December 2010. Retrieved 4 November 2010.
  17. ^ ab"Was considered a bad influence on girls: Sharmila Tagore". The Indian Express. Archived from the original on 15 November 2017. Retrieved 19 October 2014.
  18. ^ abStuff Reporter, "Being Sharmila, all through life", The Hindu, Retrieved 23 August 2006
  19. ^"Satyajit Ray at 100: Why Sharmila Tagore considers 'Devi' her best collaboration with the master". Scroll.in. 27 January 2021. Archived from the original on 12 March 2021. Retrieved 29 March 2021.
  20. ^"Tamil cinema's bong connection". Times of India Blog. 23 April 2018. Archived from the original on 13 February 2022. Retrieved 17 February 2021.
  21. ^"Soha Ali Khan wears a bikini for 'Mr Joe B Carvalho'". Mid-Day. 16 November 2013. Archived from the original on 22 November 2013. Retrieved 16 November 2013.
  22. ^Lalit Mohan Joshi & Gulzar, Derek Malcolm, Bollywood, page 20, Lucky Dissanayake, 2002, ISBN 0-9537032-2-3
  23. ^ abVarious writers, Rashtriya Sahara, page 28, Sahara India Mass Communication, 2002
  24. ^Manjima Bhattacharjya, "Why the bikini is badnaam ", The Times of India, 25 November 2007
  25. ^Avijit Ghosh, "Bollywood's unfinished revolution", The Times of India, 2 July 2006
  26. ^Subhash K Jha, "Bollywood's 10 hottest actresses of all timeArchived 12 January 2009 at the Wayback Machine, The Times of India, 2003-01-19
  27. ^B. K. Karanjia, Blundering in Wonderland, page 18, Vikas Publishing House, 1990, ISBN 0-7069-4961-7
  28. ^"The first bikini cover". filmfare.com. Archived from the original on 7 August 2020. Retrieved 16 May 2020.
  29. ^"Like mom Sharmila Tagore, Soha Ali Khan dons a bikini in Mr Joe B Carvalho". India Today. 19 November 2013. Archived from the original on 19 November 2013. Retrieved 19 November 2013.
  30. ^B. K. Karanjia, Blundering in Wonderland, page 18, Vikas Publishing House, 1990, ISBN 0-7069-4961-7
  31. ^Sumita S. Chakravarty, National Identity in Indian Popular Cinema, 1947–1987, page 321, University of Texas Press, 1993, ISBN 0-292-75551-1
  32. ^Preeti Mudliar, "Without CutsArchived 13 January 2009 at the Wayback Machine", Pune Newsline, 11 April 2005
  33. ^"Waqt (1965)". Hindi Geetmala. Archived from the original on 4 February 2023. Retrieved 13 July 2023.
  34. ^"Nayak: Easily one of Satyajit Ray's most incisive and detailed studies of human nature". Firstpost. 21 January 2018. Archived from the original on 2 February 2023. Retrieved 15 November 2022.
  35. ^Classic Revisited: AnupamaArchived 21 April 2023 at the Wayback Machine by Dinesh Raheja, Rediff.com.
  36. ^"Safar: A memorable journey". Rediff.com - Rediff Movies. 9 May 2003. Archived from the original on 10 November 2009. Retrieved 29 September 2009.
  37. ^"A string of hits on their cards". Archived from the original on 22 February 2014. Retrieved 23 July 2012.
  38. ^Malhotra, A. P. S. (8 August 2013). "Raja Rani (1973)". The Hindu. Archived from the original on 11 August 2013. Retrieved 6 July 2016.
  39. ^Dinesh Raheja (3 May 2013). "Bollywood turns 100: love that lasted". Hindustan Times. Archived from the original on 3 May 2013. Retrieved 4 May 2013.
  40. ^"Top 10 most romantic on-screen couples of all time". The Times of India. 7 May 2013. Archived from the original on 7 May 2013. Retrieved 7 May 2013.
  41. ^"Aradhana (1969) & To Each His Own (1946)". bobbytalkscinema.com. Archived from the original on 9 August 2016. Retrieved 14 February 2016.
  42. ^"'Your Call' with Sharmila Tagore: full transcript". NDTV.com. Archived from the original on 27 May 2017. Retrieved 12 May 2017.
  43. ^Salam, Ziya Us (30 May 2013). "Sharmila Tagore - Mausam (1975)". The Hindu. Archived from the original on 14 June 2013. Retrieved 13 June 2013.
  44. ^Rachel Dwyer (27 September 2006). Filming the Gods: Religion and Indian Cinema. Routledge. pp. 30–. ISBN . Retrieved 29 October 2012.
  45. ^"Box office 1973". Box Office India. Archived from the original on 20 October 2013. Retrieved 12 November 2013.
  46. ^Vijay Lokapally (10 September 2015). "Blast from the past: Anand Ashram". The Hindu. Archived from the original on 13 July 2023. Retrieved 10 September 2015.